Kim Hesekiel Rosén
Can you introduce yourself to our audience?
I’m Kim Hesekiel Rosén, and I’ve been producing electronic music across various genres for the past 25 years. I started out immersed in trip-hop, dub, and nu-jazz, and eventually dove headfirst into hip-hop production with a desire to push the genre’s boundaries. Some might say I was stubborn—or even relentless—about incorporating whatever sounds inspired me, rather than sticking to conventional templates.
Questions like “What would a boom-bap beat sound like if a Balkan gypsy band covered Pink Floyd?” or “Can I build a beat around Tibetan throat singing and a reversed Doors sample?” fascinated me. I’ve always viewed production as a form of musical storytelling with no rules—just infinite possibilities.
That mindset eventually led me to organic and deep house, ethno techno, or whatever label people use to describe this evolving genre. I was drawn to it because I sensed a shared philosophy—other artists who value music the way I do. And now, it truly feels like I’ve found my home.
What inspired you to pursue a career in music, specifically in electronic genres?
I simply don’t seem to enjoy life without music in my ears. It’s not a choice—it’s a need.
How would you describe your style and sound? What sets you apart as an artist?
It’s always tricky to evaluate your own music as a listener. After dissecting each track during production and mastering, the music stops feeling like a “song” and becomes a collection of sonic forms designed to function harmoniously.
That said, my goal is always to tell a story—every track I release carries a piece of my soul. If it resonates with someone, if it brings joy or sparks thought, then that’s more than enough for me.
I think my unpredictability and refusal to conform make my sound unique. The Sinai Sessions EP, for example, is the result of a failed attempt to create digital stoner rock—which, somehow, turned into something entirely my own.
ABOUT YOUR RELEASE
Tell us about your latest release. What’s the story or inspiration behind it?
While listening heavily to Queens of the Stone Age – Songs for the Deaf, I got the idea to reinterpret stoner rock through electronic production. The Sinai Sessions is that experiment.
What message or feeling do you want listeners to take away from this release?
Picture the desert scene from The Doors movie—dry, cinematic, surreal.
Can you walk us through the creative process behind this project?
Most of the production was done on my laptop during quiet hours at my night shift job as a janitor at a psychiatric clinic. It’s unconventional, but it’s where I find peace and focus.
How does this release differ from your previous work?
These tracks are more energetic and direct. The tempos feel faster, and the entire EP carries a momentum that connects more closely with my previous full-length album than my more downtempo singles.
INDUSTRY AND PERSONAL INSIGHTS
What do you think is the biggest challenge for artists in the electronic music industry today?
Being more productive than AI.
What role do events, collaborations, or labels play in shaping your career?
Since signing with Cafe De Anatolia to publish my releases, I’ve noticed a clear boost in my reach and stats. I’m thrilled that my music is now connecting with listeners around the world. I genuinely hope I get the opportunity to perform at festivals next summer.
Do you have any advice for aspiring artists looking to break into the scene?
Find your uniqueness. Understand it. Then make it work for you.
LOOKING AHEAD
What can your fans expect next?
Even though the industry now leans toward singles, I remain a nostalgic sucker for full albums and cohesive concepts. If I can stay patient, my next release might take the shape of a new album.
Hesekiel – The Sinai Sessions EP via Cafe De Anatolia
Release Date: June 3, 2025