Twilight Music Sculpture
Can you introduce yourself to our audience?
I’m Sean O’Brien from Toronto, Canada (well, close to Toronto, LOL). Music has been a part of my life since childhood. I played trumpet for 15 years, then moved into singing. For a while, I was the vocalist in a thrash metal band, but after eight months, we broke up. I stuck with singing and almost pursued opera—my coach really pushed for it—but it wasn’t my style, so I went in a different direction.
Piano has always been a part of my life, though never too seriously. About 20 years ago, I got my first DAW—Fruity Loops—and later moved to GarageBand. Today, I work with both Logic and Ableton. I was heavily into the trance scene in the early 2000s, which inspired me to start DJing. It was an amazing time to be a DJ—selling CD mixes (made great money from that!) and playing underground gigs in Toronto. The scene was different back then, more under-the-radar, and I loved being part of it.
What inspired you to pursue a career in music, specifically in electronic genres?
I’ve always been fascinated by analog gear. I grew up listening to Depeche Mode, New Order, 808 State, Skinny Puppy, Nine Inch Nails, Duran Duran, Massive Attack, Enigma, and Deep Forest, among others. They all used analog synths in their productions, and that sound deeply inspired me.
Pink Floyd was another huge influence. Over time, I started collecting hardware synths, and they became a major part of my creative process. There’s something truly magical about analog synths—the warmth, the character, the unpredictability. That’s what keeps me hooked.
How would you describe your style and sound?
The search for your “true” sound never really stops—it keeps evolving, depending on life experiences and emotions.
I describe my music as deep, organic, and atmospheric house. I lean toward the deeper side of Organic House but also explore heavier styles like Melodic Techno, which feeds my darker side. My music is always an expression of mood, emotion, and the moment.
ABOUT YOUR RELEASE
Tell us about your latest release.
“Azizam” was inspired by my love for world instruments—they have this raw emotional quality that Western instruments often lack. A major part of this track’s identity comes from Alexandrina, the singer I collaborated with. I’ve worked with her before, and she has an incredible ability to create atmospheric, almost mystical vocals that truly enhance the track’s depth.
What message or feeling do you want listeners to take away from this release?
I hope listeners feel a sense of true love and mystery. The title, “Azizam,” means “dear” or “precious” in English. I wanted to tell a story of love through music—something timeless and deeply emotional.
Can you walk us through the creative process behind this project?
The creative process started with the melody—I used a beautiful Gypsy violin to write the main theme over just a kick drum. That was the catalyst for the entire track.
From there, I added a sitar as an accent instrument to deepen the world-music vibe. I wanted something warm and immersive, so even the kick has this soft, deep, and rounded texture. Midway through production, I focused heavily on pad sound design, ensuring it carried real emotion as it swelled into the mix.
This track took a long time to mix because of all the subtle textures layered in the background, but in the end, it all came together into something that feels both mysterious and beautiful.
How does this release differ from your previous work?
The biggest difference with “Azizam” is its warmth and depth. My past releases have always had an organic feel, but this one has a special emotional intensity—a kind of storytelling that makes it unique.
What do you think is the biggest challenge for artists in the electronic music industry today?
The biggest challenge is oversaturation—electronic music is incredibly accessible now, and because of that, the market is flooded with DJs and producers. Standing out is harder than ever, and just making great music isn’t always enough. You need to build a brand, network, and consistently push forward to make an impact.
What role do events, collaborations, or labels play in shaping your career?
Collaborating with the right labels is key. Labels like Cafe De Anatolia are crucial in helping authenticate your release, providing visibility, and opening doors for more opportunities. They have a strong presence in the organic and ethnic house scene, and their events create amazing platforms for artists. Working with them has been an incredible experience, and I look forward to future collaborations!
Do you have any advice for aspiring artists looking to break into the scene?
The best advice I can give (which I realized a little late in my career) is this: Be 100% happy with your work. Make sure you’ve done your absolute best on every production, every live show, every radio mix—everything.
Don’t rely on external validation. Everyone will have an opinion—good or bad—but as long as you are completely satisfied with what you’ve created, you’ll stay happy and grounded in your journey.
What can your fans expect next?
2025 has already been an exciting year! I had the chance to ski and DJ on the same day at my favorite ski hill—two of my biggest passions combined. In February, I had my first gigs in the Caribbean, including a show in Cuba, which was an unforgettable experience.
Looking ahead, I have some European bookings in the works, and I’m spending a lot of time in the studio, working on new collaborations. 2025 is shaping up to be a busy and fulfilling year, and I can’t wait to share more music with everyone!
“Azizam” by Twilight Music Sculpture & Alexandrina released on 18.03.2025 via Cafe De Anatolia