A Cross-Disciplinary Collaboration Between Film And Electronic Music
Previously unheard music from Skrillex will appear in Full Phil, the upcoming feature film by French filmmaker and electronic music producer Quentin Dupieux, widely known under his musical alias Mr. Oizo.
The announcement surfaced through a brief teaser shared on Mr. Oizo’s Instagram Story, confirming that unreleased material from Skrillex has been selected for the film’s soundtrack. While no further details have been disclosed regarding the number of tracks or their exact placement within the film, the confirmation alone has already sparked significant interest across both the electronic music and film industries.
This collaboration continues a long-standing creative dialogue between two artists who have consistently blurred the boundaries between experimental sound design and visual storytelling.
A Major Premiere At The Cannes Film Festival
Full Phil is set to premiere next month at the Cannes Film Festival, one of the most prestigious events in global cinema. The film marks Quentin Dupieux’s return to English-language filmmaking after nearly 13 years, further positioning the project as one of the most anticipated arthouse releases of 2026.
The story follows wealthy industrialist Philip Doom, played by Woody Harrelson, who embarks on an extravagant trip to Paris with his estranged daughter Madeleine, portrayed by Kristen Stewart, in an effort to reconnect. As the narrative unfolds, the film explores themes of family distance, emotional isolation, and surreal human behavior—hallmarks of Dupieux’s distinctive cinematic style.
The supporting cast includes Emma Mackey, Charlotte Le Bon, and the cult comedy duo Tim Heidecker and Eric Wareheim, better known as Tim & Eric, adding an additional layer of absurdist humor to the production.
Skrillex And Mr. Oizo: A Creative History
The collaboration between Skrillex and Mr. Oizo is not new. Their creative relationship dates back to 2016, when Skrillex featured on Oizo’s album All Wet, contributing to the track End Of The World. The pairing showcased a shared interest in distorted textures, unconventional structures, and experimental electronic soundscapes.
Years later, Mr. Oizo returned the collaboration on Skrillex’s 2023 project Quest For Fire, appearing alongside Missy Elliott on the track RATATA. That exchange further reinforced the artistic synergy between the two, bridging the gap between underground experimentation and mainstream electronic innovation.
The inclusion of Skrillex’s unreleased material in Full Phil now feels like a natural extension of this evolving partnership, continuing a creative loop that spans nearly a decade.
A Glimpse Into Skrillex’s Unreleased Archive
Skrillex is widely known for maintaining an extensive vault of unreleased material, ranging from early experimental sketches to fully developed tracks that never made it onto official projects. Over the years, this archive has become almost mythical among fans, often surfacing in live sets, DJ edits, or unexpected collaborations.
The decision to place unreleased music within a cinematic context adds another dimension to this body of work. Rather than appearing in a traditional album rollout, these sounds will now be experienced through a visual narrative, potentially reshaping how audiences engage with Skrillex’s creative output.
Although no official release date has been confirmed for the track or tracks featured in Full Phil, their inclusion suggests a continued openness from Skrillex to unconventional distribution formats and artistic collaborations outside the traditional music release cycle.
Film Meets Sound Design In A Shared Creative Space
Both Skrillex and Mr. Oizo have built reputations for pushing boundaries within their respective fields. Skrillex has consistently evolved from his early dubstep dominance into more experimental and genre-fluid production, while Mr. Oizo has maintained a long-standing reputation for surreal filmmaking and abrasive electronic music under his cinematic alter ego.
Full Phil represents a natural meeting point for these two creative approaches. With its surreal narrative structure, high-profile cast, and experimental tone, the film provides an ideal environment for unconventional sound design and previously unreleased music to exist as part of a larger artistic experience.
Anticipation Builds Ahead Of Cannes Premiere
As the Cannes Film Festival premiere approaches, anticipation surrounding Full Phil continues to grow. The combination of a strong cinematic cast, a distinctive directorial voice, and contributions from Skrillex positions the film as one of the standout cross-genre cultural moments of the year.
For fans of electronic music, the inclusion of unreleased Skrillex material adds an additional layer of intrigue, offering a rare glimpse into his evolving creative archive in a completely new context.
Whether experienced as a film, a soundtrack, or a hybrid artistic statement, Full Phil is shaping up to be a unique intersection of sound and cinema that reflects the increasingly blurred lines between the two worlds.